accidentals (recalculated) in Rochford Street Review

Rochford Street Review is a fabulous on-line journal highlighting Australian and International Literature, Art and Culture – with an emphasis on small press and grassroots cultural activities, run by the indefatigable Mark Roberts. So I’m super pleased that he has featured one of my more complex video poems accidentals (recalculated) in Issue 30 of the Review. This will be the first of five videos that will appear here.

The video was a finalist in the Carbon Culture Review 2016 Poetry Film Contest (USA); was exhibited at 17 Days (Day 9, Vol. 10) at The Bret Llewellyn Art Gallery, Alfred State College, NY (USA; August 28 – September 19, 2017) and Atrium Gallery, Western Michigan University (USA; November 6, 2017 – April 29, 2018); and screened at the 7th International Video Poetry Festival in Athens, 2018.

ISOLATION PROCEDURES in Spanish at Helios Sun Poetry Film Festival

After screening at the Festival Fotogenia 2020 in Mexico City, my the Spanish version of my video ISOLATION PROCEDURES / PROCEDIMIENTOS DE AISLAMIENTO is an official selection screening at the Helios Sun Poetry Film Festival also in Mexico City in December, 2020. The Spanish version of the text is integrated into the video, as part of my long slow project on exploring how text and image can interact. 

The Long Slow Effect of Gravity at Queensland Poetry Festival 2020

My video The Long Slow Effect of Gravity is a finalist at the Queensland Poetry Festival 2020 Film and Poetry Challenge. (click on this link to see all the finalists).

The footage was taken around Adelaide CBD, Belair, Blackwood, Sturt River, Mount Compass and Middleton, all in South Australia, and Athens, Greece. The soundtrack is in polyrhythmic 6/4 time and contains audio samples of bird calls, rain, and various falling objects recorded in Belair, South Australia.

Thanks to QPF for promoting video in a mainstream poetry festival! Indeed, showing some of my early videos at QPF in 2014 gave me the confidence that I probably really could do this stuff…

ISOLATION PROCEDURES Official Selection in Festival Fotogenia 2020 in Mexico.

When I made my video “ISOLATION PROCEDURES”, we were in the early stages of COVID-19 close-down here in South Australia and I wondered what would happen if the laws necessary for restricting the spread of the virus became entrenched in a more authoritarian government regime. With things getting worse around the world on many levels, it seems opportune that my video has been selected for screening at the 2020 Fotogenia International Festival of Film Poetry and Divergent Narratives in Mexico City in November. Rather than subtitling the video in Spanish, I’ve integrated a Spanish version of the text into the video, as part of my long slow project on exploring how text and image can interact. For more information on the festival, follow their Facebook page:
https://www.facebook.com/FestivalFotogenia

Colony Collapse screens in European festivals

“I am still watching ghosts, eyes rimed with salt, homesick… this was never our natural state, our true inheritance… we should not be here…”

My video Colony Collapse, originally published in Verity La, is an official selection for the ZEBRA Poetry Film Festival in Berlin, and has been short-listed for the 8th Ó Bhéal International Poetry-Film Competition in Cork, Ireland. Both screenings are in November, 2020. It was also screened at Lyra ’20: Bristol Poetry Festival – Poetry and Climate in March, 2020.

SALA 2020: The Unwelcome

from floodtide

The 2020 South Australian Living Artists Festival (SALA) is mostly on-line this year. I have put together The Unwelcome, a showcase of my video art commenting on the environment, corruption, border controls, colonialism, authoritarianism… unwanted circumstances that, by design or active neglect, now or in a dystopian future, can make us, and those around us, feel isolated, afraid, oppressed, forgotten, erased, silenced… unwelcome.

Click here to see The Unwelcome entry in the SALA 2020 program.

Click here to go directly to The Unwelcome.