video art

Click here to see all Ian’s videos on Vimeo. Click on titles to watch them on Vimeo.


The Life We Live Is Not Life Itself (2021, dur: 8:45) Video poem with Tasos Sagris (poetry / spoken word) and WhoDoes (music) …
•  official selection, and Delluc Avant-Garde WinnerFotogenia Film Festival 2021, vol. 3 (Mexico City, November, 2021);
•  finalist, International Video Poetry Award, screened at Bologna in Lettere 10th – BABEL: stati di alterazioneBologna In Lettere 2022 (Italy, March / May – June 2022);
•  official selection, Bloomsday Film Festival 2022 (Dublin, Ireland, June, 2022);
•  screened with live performance by Tasos Sagris and Whodoes, International Poetry Film Festival of Thuringia 2022 – Focus on Greece (Thuringia, Germany, May, 2022);
•  curated selection and screening, Video Art Projects – Municipal Art Gallery – Thessaloniki  (Thessaloniki, Greece, May, 2022);
•  official selection, Venice Experimental Video And Performing Art Festival 2022 | ITSLIQUID (Venice, Italy, April, 2022);
•  official selection, VIII Muestra Internacional de Videonarración A/R/TOGRÁFICA (Granada, Spain, May, 2022);
•  official selection, 6th Zsigmond Vilmos International Film Festival, (Szeged, Hungary, 24-28 May, 2022);
•  official selection, Carmarthen Bay Film Festival (Wales, May, 2022);
•  official selection, Currents New Media Festival 2022: Circuits (Santa Fe, USA, June 2022);
•  official selection, Global Indie Film Fest (USA, June-July, 2022);
•  official selection, and Winner, Best Experimental Film, REELS International Film Festival 2021  (Aurangabad, India, February, 2022);
•  honorable mention, Experimental Films, London Movie Awards (UK, March, 2022);
•  official selection, Filmysea International Film Festival (India, March, 2022);
•  official selection, FLICKFAIR on demand film festival (Los Angeles, February, 2022);
•  official selection, ZEBRA Poetry Film Festival (Berlin, 25-28 November, 2021);
•  official selection and winner, Best Director (Video Poetry), Vesuvius International Film Festival XVI  (Italy, November, 2021);
•  official selection, Ashoka International Film Festival 2021 (Nawada, India, January, 2022);
•  official selection and finalist – Special Mention (Experimental Film), Ideal International Film Festival (Maharashtra, India, December, 2021);
•  official selection, Puntomov Video Orbits International Video Festival, 2nd edition (Universidad Autónoma del Estado de México, Toluca, Mexico, 2021);
•  official selection, 18th Annual Another Hole in the Head Film Festival  (San Francisco, December, 2021);
•  official selectionFonland International Festival of Video Art and Performance (Coimbra, Portugal, November, 2021);
•  invited screening, The Wrong Biennale No 5 – Encounters with Incomprehension (November 2021 – March, 2022);
•  official selection, 6th Trujillo International Independent Film Festival (Peru, 23-26 September, 2021);
•  official selection, 2021 International Screening of Experimental Films and Videopoems TRANÅS AT THE FRINGE (Tranås, Sweden, 16-24 October, 2021);
•  official selection, Spanish versionNahui Ollin Film Festival 2021 (Durango, Mexico, August – September, 2021);
•  official selection, 9th International Video Poetry Festival (Athens, June, 2021);
•  honorable mention, Video Art and Experimental Film Festival (New York, 2021).

dog daze (2017, dur: 4:03) Video poem …
•  official selection and winner Best Video Poem, 2018 Film and Video Poetry Symposium (Los Angeles, 26-29 April, 2018);
•  official selection, Artist’s Film section Aesthetica Short Film Festival 2019 (York, UK, November, 2019);
•  Honorable Mention for Best Animation and screened at Rabbit Heart Poetry Film Festival 2018 (Worcester, MA, USA, 2018);
•  screened at Living With Buildings – Cov – An evening of experimental film (Coventry, UK, 10 November, 2021);
•  official selection 2020 International Screening of Experimental Films and Videopoems AT THE FRINGE international arts festival with invited artist talk (Tranås, Sweden, October, 2020);
•  official selection, REELpoetry 2020 international poetry film festival (Houston, TX, January, 2020);
•  featured in Rochford Street Review 30 (December, 2020);
•  screened at Brave New World: performance-poetry-film (Plymouth, UK, 31 May, 2018);
•  screened at the 6th International Video Poetry Festival (Athens, January, 2018).
•  screened at the 2019 Film and Video Poetry Society Symposium in Moscow, Cinema Kosmos, Moscow (Russia, July 2019);
•  screened at WE OPEN SPACE (Vienna, Austria, November, 2019);
•  screened at the 2019 Newlyn Short Film Festival (UK, April, 2019); 
•  screened at Grindhouse iii @ Zoetrope (Bolton, UK, June, 2019);
•  Honorable Mention in Experimental Forum Film and Video Art Festival (Los Angeles, July, 2019);
•  screened at Something Unexpected, The Wreckers Live (Goolwa, August, 2019);
•  featured in Judging the First Atticus Videopoetry Contest by Marie Craven, Moving Poems Magazine (January 26, 2019);
•  text published in Solid Air: Australian and New Zealand Spoken Word (eds David Stavanger & Anne-Marie Te Whiu, UQP, 2019);
•  text performed at Adelaide Writers’ Week 2020, Hear Me Roar (March, 2020).

The Ferrovores (2019, dur: 5:30) Video poem …
•  official selection and winner Best Australian Short Experimental, Newcastle International Short Film Festival (Newcastle, Australia, December, 2021);
•  curated screening, The Climate Change Memorial Film Collection, Alphabet Art Centre, The New Museum of Networked Art (Los Angeles, February – April, 2022);
•  invited screening, Memory of the Future? – The New Museum of Networked Art at LA Art Show 2022: Modern + Contemporary  (Los Angeles, January, 2022);
•  official selection, Uninhabited International Film Festival (Copenhagen, 2022);
•  published with text as Ferrovores – Homo ferrovorus (incertae sedis) in Becoming Feral (Glasgow, 2021);
•  screened at GlobalConscience.World – Climate Change Music Video Promotion (USA, October, 2021);
•  official selection, Carmarthen Bay Film Festival (Wales, May, 2021);
•  official selection, 9th International Video Poetry Festival (Athens, May 2021);
•  semi-finalist, Dumbo Film Festival (New York, February, 2021);
•  featured on ZEBRA Poetry Film Festival Facebook page (Berlin, September, 2020);
•  official selection, 10th Pune Short Film Festival (India, December, 2020);
•  official selection, Monthly Indie Shorts (USA, December, 2020);
•  selected for Moving Poems (USA, September, 2020);
•  published in The Atticus Review  (USA, July, 2020).

future perfect (2019, dur: 4:32) Video poem …
• finalist, La Poesia Che Si Vede – International Competition for Poetry Films at La Punta della Lingua International Poetry Festival (Ancona, Italy, June, 2022);
•  invited screening and Top Ten Best of Bologna selection, Bologna in Lettere 2021 – International Multidisciplinary Festival (Italy, May 2021);
• official selection, Fonland Festival Internacional Video Arte e Performance 2022 (Portugal, June-July, 2022);
•  official selection, FILE Electronic Language International Festival (Sao Paolo, July-August, 2022);
•  invited screening, The Wrong Biennale No 5 – Encounters with Incomprehension (November 2021 – March 2022);
•  official selection, Transborda 3 International Video Art Exhibition Q-TV (Portugal, November, 2021);
•  invited submission and published in soundsRite 11 (2021);
•  official selection, Cadence: Video Poetry Festival (Seattle, April, 2020);
•  finalist, screened at 2020 Newlyn Short Film Festival (UK, April, 2020);
•  official selection, Carmarthen Bay Film Festival (Wales, May, 2020);
•  official selection,  8th International Video Poetry Festival (Athens, December, 2019);
•  official selection, REELpoetry 2020 international poetry film festival (Houston, TX, January, 2020);
•  Honorable Mention in Experimental Forum Film and Video Art Festival (Los Angeles, July, 2019);
•  text published in e•ratio 28 (2019).

colony collapse (2019, dur: 3:54) Video poem …
•  official selection, Unified Filmmakers Festival 2022 – Climate Change, (Munich, Germany, May-June, 2022);
•  screened in New Media Lab – Video Art Projects, Municipal Art Gallery Thessaloniki (Greece, May, 2022);
•  official selection, REELpoetry Festival 2022 (Houston, TX, February, 2022);
•  curated public video art exhibition at Urban Screening 2021-22 (Northbridge Piazza, Perth, WA, December 2021);
•  screened at Living With Buildings – Cov – An evening of experimental film (Coventry, UK, 10 November, 2021);
•  screened at GlobalConscience.World – Climate Change Music Video Promotion (USA, October, 2021);
•  official selection International Migration & Environmental Film Festival – Best of Shorts (USA, October, 2021);
•  exhibited with discussion at Broto Art-Climate-Science: Agency (Cape Cod, May, 2021);
•  screened at Lyra ’20: Bristol Poetry Festival – Poetry and Climate (UK, March, 2020);
•  short listed and screened at the 8th Ó Bhéal International Poetry-Film Competition (Cork, Ireland, November, 2020);
•  official selection, ZEBRA Poetry Film Festival (Berlin, November, 2020);
•  published in Verity La (February, 2020);
•  selected for Zebra Poetry Film Club on Vimeo channel (2021).

ISOLATION PROCEDURES (2020, dur: 6:22) Video poem …
•  official selection, competition program, Now&After’22 International Video Art Festival (Moscow, July – August, 2022);
•  official selection and winner, Best Experimental Film, Ashoka International Film Festival 2021   (Nawada, India, January, 2022);
•  official selection, Filmysea International Film Festival (India, March, 2022);
•  official selection, and Special Mention (Lockdown Film), REELS International Film Festival 2021 (Aurangabad, India, February, 2022);
•  official selection and Honorable Mention, Paris Film Awards (Paris, France, January, 2022);
•  official selection, 8&Halfilm Awards (Italy, 2022);
•  official selection, Vesuvius International Film Festival XVI (Italy, November, 2021);
•  official selection and winner – Special Jury Award (COVID-19 Film), Ideal International Film Festival (Maharashtra, India, December, 2021);
•  official selection, Transborda 3 International Video Art Exhibition Q-TV (Portugal, November, 2021);
•  official selection, bilingual Spanish versionNahui Ollin Film Festival 2021 (Durango, Mexico, August – September, 2021);
•  official selection, bilingual Spanish versionFotogenia, International Festival of Film Poetry and Divergent Narratives (Mexico, November, 2020);
•  official selection, Helios Sun Poetry Film Festival (Mexico, December, 2020);
•  official selection, Monthly Indie Shorts (USA, December, 2020);
•  featured in Moving Poems (USA, April, 2020);
•  official selection, 10th Pune Short Film Festival (India, December, 2020);
•  selected for New Mediafest 1st Corona Festival and The Wake Up! Memorial (Cologne, Germany, April, 2020);
•  selected for Oblò TV (Cinéma Oblò, Lausanne, Switzerland, May 2020);
•  selected for Life in the Time of COVID-19: Fragment 4 (July 2020).

floodtide (2018, dur: 8:00) Video poem …
•  official selection, Global Indie Film Fest (USA, June-July, 2022);
•  official selection, Exploratory Visions 2021: Animation + Experimental + Avant Garde Film (Geelong, Australia, December, 2021);
•  screened at GlobalConscience.World – Climate Change Music Video Promotion (USA, October, 2021);
•  official selection, International Migration & Environmental Film Festival (USA, October, 2021);
•  official selection, 7th Concepción Independent Film Awards (Chile, August, 2021);
•  screened in Portaali – Video Art Festival Turku / Turku Animated Film Festival (Finland, August, 2021);
•  international exhibition, 1.5 degrees, Group Global 3000 at Gallery for Sustainable Art in Berlin (15 January – 12 March, 2021);
•  official selection, Carmarthen Bay Film Festival (Wales, May, 2020);
•  official selection, 10th Pune Short Film Festival (India, December, 2020);
•  screened at Festival of Hope: A Global Virtual Poetry Initiative : Love – Power (Versopolis Review, Europe, April, 2020);
•  screened on Channel 44 community television (Adelaide, South Australia, through 2020);
•  official selection with honorable mention, screened with live spoken word, 8th International Video Poetry Festival (Athens, December, 2019);
•  screened with live spoken word, Paroxysm Press: Showcase Series, Adelaide Fringe Festival, Broadcast Bar, Adelaide (February, 2019);
•  Honorable Mention in Experimental Forum Film and Video Art Festival (Los Angeles, July, 2019);
•  long listed for Byron Bay International Film Festival 2019;
•  selected for Moving Poems (USA, August, 2019).

after-image (2020, dur: 5:19) Video poem …
•  exhibited at HOLD; Adelaide Fringe Festival (Hart’s Mill, Port Adelaide, February – March, 2022);
•  invited screening, The Wrong Biennale No 5 – Encounters with Incomprehension (November 2021 – March 2022);
•  honorable mention, Fleurieu Film Festival (South Australia, February, 2022);
•  official selection, Shockfest Film Festival Silver Bullet Virtual Screening (USA, December, 2021);
•  official selection, 2021 International Screening of Experimental Films and Videopoems TRANÅS AT THE FRINGE (Tranås, Sweden, 16-24 October, 2021);
•  official selection Another Hole in the Head – Warped Dimension  – Tripping the Light Fantastic (San Francisco, May, 2021);
•  official selection Carmarthen Bay Film Festival (Wales, May, 2021);
•  official selection, 10th Pune Short Film Festival (India, December, 2020);
•  text published in e•ratio 29 (2020).

Warranty & Conditions of Use (2020, dur: 5:26) Video poem …
•  offical selection, Fisura Festival Internacional de Cine y Video Experimental edition 2  (Mexico City, February – March / April – June, 2022);
•  invited screening and Top Ten Best of Bologna selection at Bologna in Lettere 2021 – International Multidisciplinary Festival – Arte-fatti Contemporanei (Italy, May 2021);
•  official selection, 7th Bahia Independent Cinema Festival (Bahia, Brazil, November, 2021);
•  official selection, Fotogenia Film Festival 2021, vol. 3 (Mexico City, November, 2021);
•  official selection, 6th Canal de Panama International Film Festival (Panama, August, 2021).

The Long Slow effect of Gravity (2020, dur: 4:51) Video poem …
•  official selection, and Winner, Best Story Writer (Experimental Film), REELS International Film Festival 2021 (Aurangabad, India, February, 2022);
•  offical selection, Fisura Festival Internacional de Cine y Video Experimental edition 2 (Mexico City, February – March / April – June, 2022);
•  invited screening, Bologna in Lettere 2021 – International Multidisciplinary Festival – Arte-fatti Contemporanei (Italy, May 2021);
•  official selection and Honourable Mention, Ashoka International Film Festival 2021 (Nawada, India, January, 2022);
•  finalist, Queensland Poetry Festival 2020 Film and Poetry Challenge (November, 2020).

An Introduction to the Theory of Eclipses (2022, dur: 1:38) Video poem…
• official selection and Staff Favorite Film AwardAnother Hole in the Head – Warped Dimension (San Francisco, USA, May, 2022).

withHOLD (2022, dur: 4:00) Video art …
• exhibited at HOLD, curated by Tony Kearney, Hart’s Mill, Port Adelaide, Adelaide Fringe 2022 (February – March, 2022).

Epithelium (2021, dur: 4:49) Video art with Catherine Truman and Angela Chappell …
•  official selection, special screenings, Ribalta Experimental Film Festival (Vignola, Italy, March, 2022);
•  official selectionImage Play International Video Art Festival (Madeira, Portugal, 2021);
•  invited screening at The Wrong Biennale No 5In Absentia (November 2021 – March 2022);
•  official selection, Nahui Ollin Film Festival 2021 (Durango, Mexico, August – September, 2021);
•  exhibited as part of Catherine Truman – Shared Reckonings (Santos Museum of Economic Botany, Adelaide Botanic Garden for the 2021 Adelaide Festival, 24 February – 2 May 2021).

A Captain’s (2019, dur: 5:29) Video poem …
•  official selection, Filmysea International Film Festival (India, March, 2022);
•  official selection, International Migration & Environmental Film Festival  – Best of Shorts (USA, October, 2021);
•  published in Verity La (April, 2021);
•  official selection, Carmarthen Bay Film Festival (Wales, May, 2020);
•  screened at Kino Klub Split: Blending Perspectives, powered by AGITATE:21C (Split, Croatia, December, 2019);
•  text originally published as A Captain Cook in Transnational Literature 8.1 (2015).

unvoiced (2019, dur: 4:00) Video poem …
•  official selection, FILE Electronic Language International Festival (Sao Paolo, July-August, 2022);
•  invited screening, The Wrong Biennale No 5 – Encounters with Incomprehension (November 2021 – March 2022);
•  invited submission and published in soundsRite 11 (2021);
•  official selection, The Film and Video Poetry Symposium 2020 (Los Angeles, November-December, 2020);
•  official selection, 2020 Newlyn Short Film Festival (UK, April, 2020);
•  published with text in non-compliant 01: censorship (2019).

homeless (2017, dur: 4:18) Video poem …
•  contribution to Peace Letter to Ukraine 2 – International Videoart in Solidarity with Ukraine, The New Museum of Networked Art / Alphabet Art Centre; VisArts Center Rockville, MD; Municipal Art Gallery Thessaloniki (USA / Germany / Greece, March-May, 2022);
•  official selection, Squat Betty Avant Garde Film Festival (Southend on Sea, UK, January, 2022);
•  official selection, International Migration & Environmental Film Festival  – Best of Shorts (USA, October, 2021);
•  official selection, CODEC, 5th Festival Internacional de Cine Experimental y Video (Mexico City, November, 2019);
•  screened at WE OPEN SPACE (Vienna, Austria, November, 2019);
•  selected for CODEC on-line catalog (2020);
•  screened at Squat Betty Avant Garde Film Night, Resistance Gallery, Bethnal Green (London, January, 2020);
•  screened at Kino Klub Split (Split, Croatia, February, 2020).

The Exclusion Principle (2020, dur: 4:26) Video poem …
•  official selection, Filmysea International Film Festival (India, March, 2022);
•  invited screening. The Wrong Biennale No 5 – ESSENCE/ABSENCE (November 2021 – March 2022);
•  official selection and runner-up, Best Experimental Film, Ideal International Film Festival (Maharashtra, India, December, 2021);
•  official selection, International Migration & Environmental Film Festival  – Best of Shorts (USA, October, 2021);
•  text published in e•ratio 29 (2020).

signature (2020, dur: 6:25) Video poem …
•  official selection, screened and exhibited at Traverse Video XXV – Capacité (presque) illimitée | (Almost) Unlimited Capacity (Toulouse, France, April, 2022);
•  text published in English and French in Recours Au Poème (France, 2012).

bayside reporter (2014, dur 4:08) Video poem …
•  official selection, Tranås At The Fringe 2022 (Tranås, Sweden, 2022);
•  screened in distURBANce, REELpoetry Festival 2022 (Houston, TX, February, 2022);
 published in Australian Poetry Members Anthology 3 (2014).
•  selected for Moving Poems weekly digest (January, 2017).

Leakage (2019, dur: 6:56) Video poem …
•  official selection, Vesuvius International Film Festival XVI (Italy, November, 2021);
•  official selection and finalist, Poetic Films, Carmarthen Bay Film Festival (Wales, May, 2020);
•  published in Verity La (October, 2019).

Situs Inversus Viscerum Totalis (2016, dur: 6:11) Video poem …
•  screened at 5th International Video Poetry Festival (Athens, 2016);
•  screened at VASTLab LiveScore, Burbank, CA, (May, 2020);
•  selected for Frame in Reference international film collection by Msivitan / Astronaut Eye / Matt T Helme (Italy-Greece-USA, July-August, 2020); screened at:
• • HERE COMES EVERYBODY, Channel 29 cable TV, Portland, Oregon (August, 2020);
• • VisualContainerTV International VideoArt webchannel (Milan, Italy, October – November, 2020);
• • The Screening Room, Salto TV (Amsterdam, October – November, 2020).

The Extreme Politics of Adaptive Endosymbiosis (2021, dur: 9;36) 10K video …
•  screened with live text performance at The Lab in Provocation #3, JM Coetzee Centre for Cultural Practice (Adelaide, October, 2021);
• Published with text in Sydney Review of Books (November, 2021).

these days (2018, dur: 3:40) Video poem …
•  official selection, REELpoetry Festival 2022 (Houston, TX, February, 2022);
•  official selection, Animation + Experimental + Avant-garde sessionNorth Bellarine Film Festival  (Geelong, Australia, November, 2020);
•  short-listed for 2019 Film Poetry Competition, Poetry Film Live;
•  screened at The Big Poetry Weekend (Swindon, UK, October, 2019);
•  selected for Moving Poems (USA, May, 2020).

hexapod (2018, dur: 4:23) Video poem …
•  published in Atticus Review (USA, February 8, 2019);
•  official selection, REELpoetry 2020 international poetry film festival (Houston, TX, January, 2020);
•  shortlisted and screened at 5th Ó Bhéal Poetry-Film Competition (Cork, Ireland, 2017);
•  screened at the 6th International Video Poetry Festival (Athens, January, 2018);
•  screened at Kino Klub Split: Short(s) Petting, powered by AGITATE:21C (Split, Croatia, November, 2019).
•  selected for Moving Poems weekly digest (USA, February 2019);
•  selected for Zebra Poetry Film Festival facebook page (Germany, May, 2019);
•  long listed for Byron Bay International Film Festival 2019.

Game Over: Grand Final Edition (2015, dur: 3:15) Animated video poem …
•  published with animated GIF in otoliths 40 (2016).
•  selected for Poetry + Video: a touring program curated by Marie Craven (Australia / International, 2019/2020) showing in:
• • The Garden Gallery (Murwillumbah, May, 2019);
• • Unknown Pleasures: Australian Independent Cinema (Melbourne, October, 2019);
• • The Wrong: Digital Arts & Culture Biennale (online, November, 2019);
• • Ball State University (Muncie, Indiana, USA, November, 2019);
• • Ó Bhéal Winter Warmer Poetry Festival (Cork, Ireland, November, 2019);
• • 8th International Video Poetry Festival (Athens, December, 2019);
• • Kino Klub Split (Split, Croatia, December, 2019)
• • The Word, South Shields (UK, March, 2020);
• • Festival of Hope: A Global Virtual Poetry Initiative (Versopolis Review, Europe,
April, 2020);
• • 2020 International Screening of Experimental Films and Videopoems AT THE FRINGE international arts festival (Tranås, Sweden, October, 2020).

let me go (2019, dur: 2:36) Video remix project …
•  released on AGITATE:21C (October, 2019);
•  official selection, Connect Video Art Festival (Ruskin, FL, October, 2020).

accidentals (recalculated) (2016, dur: 4.05) Video poem …
•  invited screening, The Wrong Biennale No 5 – Encounters with Incomprehension (November 2021 – March 2022);
•  curated selection, Bologna in Lettere 10th Ed (August, 2021);
•  featured in Rochford Street Review 30 (December, 2020);
•  screened at 7th International Video Poetry Festival (Athens, 2018);
•  screened at 17 Days (Day 9, Vol. 10) at The Bret Llewellyn Art Gallery, Alfred State College, NY (USA; August 28 – September 19, 2017);
•  screened at Atrium Gallery, Western Michigan University (USA; November 6, 2017 – April 29, 2018);
•  selected for Moving Poems weekly digest (USA, February, 2017).

pursuit [ yellow ] (2020, dur: 3:38) Experimental video …
•  official selection, Videoart Forum, 3rd edition  (Dammam, Saudi Arabia, May, 2021);
•  official selection, 10th Pune Short Film Festival (India, December, 2020).

canine (2017, dur: 2:29) Video poem …
•  screened on-line in National & International Beat Poetry Festival (USA, September, 2021);
•  featured in Rochford Street Review 30 (January, 2021);
•  official selection, 2017 Juteback Poetry Film Festival (Colarado, USA, 2017);
•  selected for Moving Poems weekly digest (USA, June, 2017).

42nds (2017, dur: 0:45) Video poem …
•  screened in distURBANce, REELpoetry Festival 2022 (Houston, TX, February, 2022);
•  featured in Rochford Street Review 30 (December 2020);
•  commissioned public art projection video loop for WORD!  Adelaide City Council and Australian Network for Art and Technology (ANAT); projected nightly in Rundle Street, Adelaide, May – July 2017; re-screened April, 2018;
•  Water Screen LaserVision projection as part of HybridWorld Adelaide 2018 (Adelaide Riverbank, 20-22 July 2018).
•  commissioned display at the Adelaide Festival Centre digital screens (King William Road, Adelaide, April, 2019).

BLUE MOON (2017, dur: 4:55) Video poem …
•  screened at The Wrong Biennale No 5 – ESSENCE/ABSENCE (November 2021 – March 2022);
•  unofficial selection, screened at West End Film Festival (Brisbane, June 2019);
•  screened at 7th International Video Poetry Festival (Athens, 2018);
•  selected for Moving Poems weekly digest (March, 2018);
•  soundtrack broadcast as part of Cose Cosmiche: Sound creations inspired by the Universe, 24 hour broadcast (Milan, 2018).

SPSS (2015, dur: 3:35) Video poem …
•  official selectionImage Play International Video Art Festival (Madeira, Portugal, 2021);
•  screened at The Wrong Biennale No 5 – Encounters with Incomprehension (November 2021 – March 2022);
•  shortlisted and screened at the Rabbit Heart Poetry Film Festival 2017 (Worcester, MA, USA, 2017);
•  commissioned display at the Adelaide Festival Centre digital screens (Festival Theatre Main Foyer, Adelaide, April, 2019);
•  published in Cordite 50, No Theme IV (2015).

heist (2017, dur: 8:00) Video poem …
•  screened in distURBANce, REELpoetry Festival 2022 (Houston, TX, February, 2022);
•  screened at the 6th International Video Poetry Festival, Athens, January, 2018;
•  selected for Moving Poems Weekly Digest (USA, January, 2018).

osteoporosis (2018, dur: 3:25) Video poem …
•  shortlisted and screened at First Newlyn International Film Festival (UK, 6-8 April, 2018);
•  screened at 7th International Video Poetry Festival (Athens, 2018);
•  screened at Rabbit Heart Poetry Film Festival 2018 (Worcester, MA, USA, 2018).

cat claws (2016, dur: 4:19) Video poem …
•  published in Bareknuckle Poet Journal of Letters (May, 2018);
•  screened at 5th International Video Poetry Festival (Athens, 2016).

12 Sights of the Sea (vocal version)  (2016, dur: 3:51) Video poem …
•  selected for Moving Poems Weekly Digest (USA, October, 2017);
•  text published in Cordite 45: Silence (2014).

The Inexplicable Hardness of Things (2017, dur: 2:25). Video poem …
•  published with text in Verity La (June, 2017);
•  selected for Moving Poems weekly digest (USA, July, 2017).

Sensurious (2016, dur: 4:39) Video poem featuring drawings by Judy Morris …
•  featured in Rochford Street Review 30 (January, 2021);
•  short listed for Red Room Company New Shoots Poetry Prize (published with text, 2017).

Birds of Öland (2019, dur: 6:44) Experimental documentary …
•  screened at Kino Klub Split: Short(s) Petting, powered by AGITATE:21C (Split, Croatia, October, 2019).

Vocem Video (2019, dur: 65:31) Animated text from Sean Williams’ Impossible Music (Allen & Unwin, 2019) with audio by Sean Williams …
•  screened at the official launch of Impossible Music (Adelaide, June 2019).

with my eyes closed : imaginary midline (2009, dur: 8:39) Video installation …
•  selected and screened at The Wrong – In Absentia (Italy, 2019/2020);
•  Not Absolute, an art-science collaboration with Catherine Truman, Judy Morris, Gabriella Besetto, Vicki Clifton and Rachel Burgess, curated by Janice Lally. Flinders University City Gallery, Adelaide, 24th July – 27th September, 2009.

with my eyes closed: bluescreen (2009, dur: 4:16) …Video installation
•  selected and posted in Photodust (2018);
•  selected and screened in the Moving Image Program, South Australian Living Artists Festival (SALA) (Adelaide, 2009);
•  Not Absolute, an art-science collaboration with Catherine Truman, Judy Morris, Gabriella Besetto, Vicki Clifton and Rachel Burgess, curated by Janice Lally. Flinders University City Gallery, Adelaide, 24th July – 27th September, 2009.

20/20 Scope (2018, dur: 31:19). Video installation with Catherine Truman and Deb Jones. Catherine Truman: No Surface Holds, Jam Factory, Adelaide (July – September, 2017, then touring nationally through 2018/2019).

Situs Inversus (2016, dur: 3:18) Commissioned video projection onto window wall at Adelaide Convention Centre. Part of Body of Evidence installation, curated by Carollyn Kavanagh, Adelaide Convention Centre (June 2016).

Situs Inversus Viscerum Totalis. (2016, dur: 6:11) Commissioned video for large scale LED display. Part of Body of Evidence installation, curated by Carollyn Kavanagh, Adelaide Convention Centre (June 2016).

open home. (2016, dur: 3:04) Video poem…
•  published with text in Uneven Floor (2016);
•  screened at Adelaide Fringe Festival, Tuxedo Cat, Adelaide, March, 2014;
•  screened at Queensland Poetry Festival 2014, Judith Wright Centre, Brisbane, August, 2014.

Looking and Seeing. (2015, dur: 16 min) Documentary as part of Floribunda, a collaborative exhibition featuring drawings by Judy Morris and text by Ian Gibbins. Hahndorf Academy, Hahndorf, South Australia, 13 June – 26 July, 2015.

cataplexy (2014, dur: 3:39). Video poem …
•  published with text in e•ratio 21 (2014);
•  screened with performance, Adelaide Fringe Festival, Tuxedo Cat, Adelaide, March, 2014;
•  screened with performance, Queensland Poetry Festival 2014, Judith Wright Centre, Brisbane (August, 2014).

editor’s selection. (2014, dur: 1:29) Video poem published in Overland: photonic (2014).

Paroxysm Showcase. Five video poems (2014, total dur: 15:00) screened with performance, Adelaide Fringe Festival, Tuxedo Cat (Adelaide, March, 2014).

Conditions of Use (2014, dur: 1:31), True Crime (2014, dur: 4:32) and Lifelines 1.1 (2014, dur: 3:30) screened as part of How to Write, Poet-in-Residence project, Adelaide City Library, Adelaide (March, 2014).
•  True Crime text published in Australian Poetry Members Anthology 4 (2015).

The Interference Effect, Parts 1 and 2. (2014, dur: 15:00 each). Nine video poems screened and performed in two sequences at Queensland Poetry Festival 2014. Judith Wright Centre, Brisbane, August, 2014.

Page Turning (2014, dur: 63:00). Video loop installation with Catherine Truman and Deb Jones …
•  The Microscope Project, an art-science collaboration with Catherine Truman, Deb Jones, Angela Valamanesh and Nicholas Folland, curated by Fiona Salmon and Madeline Reece. Flinders University City Gallery, Adelaide, 26th July – 21st September, 2014;
• Catherine Truman: No Surface Holds, Jam Factory, Adelaide (July – September, 2017, then touring nationally through 2018/2019).

JEOL JSM-35C (2014, dur: 26:00). Video loop installation …
• The Microscope Project, an art-science collaboration with Catherine Truman, Deb Jones, Angela Valamanesh and Nicholas Folland, curated by Fiona Salmon and Madeline Reece. Flinders University City Gallery, Adelaide, 26th July – 21st September, 2014;
• Flinders University Tonsley Campus (Adelaide, 2015).

Rearrangements. (2013, dur: 10:00) Video poem version of stage projection (dur: 50:48) in Arrangements, poetry and music performed with Tracey Korsten, Kerryn Tredrea and Cindy Macdonald, Adelaide Cabaret Fringe Festival, The Wordbox (Adelaide, May and June, 2013);
• The text of Rearrangement 1 won the 2014 Satura Prize.

Anatomy and Imagination. Two video poems, Abbess Chiara, Montefalco, 1308 (2010, dur: 3:00) and The Boy With Two Bodies (2010, dur: 7:34), screened and performed in Anatomy and Imagination, a public lecture at The Royal Institution, Australia, Adelaide, May, 2010.

With My Eyes Closed. Three video loop installations (2009, dur: 25:00 each) as parts of Not Absolute, an art-science collaboration with Catherine Truman, Judy Morris, Gabriella Besetto, Vicki Clifton and Rachel Burgess, curated by Janice Lally. Flinders University City Gallery, Adelaide, 24th July – 27th September, 2009.

girl talk (2009, dur: 1:35), and greater than (2009, dur: 2:01) from With My Eyes Closed, selected and screened in the Moving Image Program, South Australian Living Artists Festival (SALA), Adelaide, September, 2009.