My video, BLUE MOON, inspired by David Bowie, Arthur C Clarke / Stanley Kubrick and the Pioneer 10 / 11 space probes to the moons of Jupiter and Saturn, will be screened at a community screening event as part of the Westend Film Festival in Brisbane (29th June, 2019).
What will our cities look like when sea levels rise amid the permanent consequences of climate change?
At last, here is the final version of my “floodtide” video. I first showed and performed it at the Paroxysm Press Showcase event at this year’s Adelaide Fringe Festival.
Nearly every scene in the video has been artificially composited and animated from multiple sources, comprising over 600 clips, originally filmed in various locations around the greater Adelaide area, the Fleurieu Peninsula, Kangaroo Island, inner city Melbourne and its Port, Far North Queensland, and more…
StylusLit is an Australian, bi-annual online literary journal, publishing poetry, short fiction, novel excerpts, creative non-fiction, interviews and reviews. I had the great pleasure of being interviewed by editor Rosanna Licari about my writing practice and its relation to video poetry and more. I also have a poem based on my experiences living in Los Angeles in the early 80s.
An excerpt of the interview was republished on the Moving Poems website, along with an excerpt of another interview with video-poet Lucy English.
A Skeleton of Desire was published by Garron Publishing in October 2018 as part of their Southern-Land Poets Chapbook series.
It contains 10 poems that are mostly based on the human body in various ways – the organisation of the bones in the arms, their muscles, their development, dysfunction and recovery. Much of the imagery is derived from re-interpreting the original meanings of the latin names for body parts, diseases, and the environment they exist within.
Most of these poems have been previously published, with the five cardinal signs of inflammation and High Dependency originally appearing in the Medical Journal of Australia. Sensurious (Works on Paper) is derived from texts accompanying an exhibition of drawings by Judy Morris that … Click here for more.
My video poem BLUE MOON, has generated quite some interest in how it was made.
The underlying sequence of buildings panning along to a beachscape is actually a single still image that I built in Photoshop. It is constructed from about 100 images of buildings around the Adelaide CBD, North Haven, and Brighton. They were photographed on days with bright sunshine and clear blue skies so that the lighting was comparable across the shots. Even so, I needed to adjust colour, brightness, saturation, scale, perspective and so on to get the visual mix right. The blue skies also allowed for easier compositing later on. In the final mix, the background sky was processed to be the same in all … Click here for more.
My poem Dial Tone came third in the University of Canberra 2017 Health Poetry Prize! Congrats to winner Joe Dolce and runner-up, Vanessa Procter.
“The University of Canberra Health Poetry Prize aims to inspire others through poetry to consider the journey to live life well. The poem may be focussed on mental or physical health, and can investigate what ‘living life well’ means. This may include barriers to living a well life, promoting a life lived well, or describe the experience of, or transition to, living life well.“
The prize-winning and short-listed poems will be published by the University. Meanwhile, here is an excerpt from Dial Tone:
The message mentioned belongings. I comply, search … Click here for more.
Body of Evidence was a multi-medium exhibition inspired by the impact of Art on Health held at the Adelaide Convention Centre 30 May – 1 July, 2016 featuring John Blines, Gina Czarnecki & The Australian Dance Theatre, Meg Cowell, Ian Gibbins, Naomi Hunter, Cheryl Hutchens, Hans Kreiner, Kerryn Levy, Deborah Prior, Damien Shen, Angela Valamanesh & Thomas Yeend. Curated by Carollyn Kavanagh.
I contributed an installation piece called Syntaxin: Kiss and Run, and two videos called Situs Inversus, one for an internal LED screen (which you can see here, with audio), and one, a special projection project (watch it here), on a huge window of the SW corner of the Convention Centre, … Click here for more.