TRANSBORDA III – Q-TV: the response of video art to the quarantine times

TRANSBORDA III Q-TV: the response of video art to the quarantine times is part of the Festival of Books and Movies – Alcobaça in Portugal, 1-21 November, 2021. Curated by Alberto Guerreiro, the event features a diverse international line-up of video artists. Amongst so many good friends and colleagues, I’m delighted that two of my videos are on the program: ISOLATION PROCEDURES and future perfect. I also have a component in the international collaborative project, Chant for a Pandemic by Dee Hood.

ISOLATION PROCEDURES was recorded during the 2020, mostly on location at Sleep’s Hill, Blackwood, and Belair, South Australia, where I live, under partial lockdown conditions. The audio samples are made from birds, frogs and voices in the … Click here for more.

5 videos officially selected for the 2021International Migration & Environmental Film Festival

The International Migration and Environmental Film Festival is a not-for-profit cultural organisation that raises awareness about migration and environmental issues through the wonderful medium of film. 

“IMEFF is dedicated to presenting the best of international film, documentary, photo, and artwork that captures migration, trafficking, refugees, pollution, habitat loss, climate change, to educate, entertain, inform and encourage conversations, provokes debate about changes, innovation, sustainability and how to make the world a better place for every creature. 

The aim of the festival is to raise awareness, encourage discussion and inspire people on a diverse range of important migration and environmental issues and to reshape a divisive narrative using film and the arts.

During the festival, there are opportunities for officially selected projects … Click here for more.

Colony Collapse at Broto Art-Climate-Science: Agency

My video Colony Collapse has been selected for an international on-line exhibition, Agency, hosted by Broto Art-Climate-Science in Cape Cod. It’s associated with their conference on 15-16 May entitled Greetings, Earthing: How does global citizenship affect our climate response? As part of the conference, I’m also taking part in a discussion on Agency: Arts as Civics Teacher.

Curated by Margaret LeJeune, the show asks “What exists at the intersection of empowerment, the climate crisis, and radical empathy?  What does agency look like in a post-human world? And, can it be ascribed to non-human species, rivers and/or ecosystems?”

As well as my work, the show features Caspar de Gelmini, Susan Hoenig, Sydney Parcell (in collaboration … Click here for more.

Three videos at Bologna in Lettere international multidisciplinary festival

After receiving an invitation to submit work, I have three videos in the 2021 Bologna in Lettere International Multidisciplinary Festival, IX edizione Dissoluzioni running throughout May, 2021. The Festival runs across 12 sessions with 175 authors representing 27 countries. My videos, Warranty & Conditions of Use, The Long Slow Effect of Gravity and future perfect are in the Arte-fatti Contemporanei session, curated by Maria Korporal. Two of these videos Warranty & Conditions of Use and future perfect were selected in the Top Ten Best of Bologna in Lettere 2021!

Shared Reckonings: Catherine Truman at the Museum of Economic Botany

Santos Museum of Economic Botany and The Deadhouse, Adelaide Botanic Gardens.
24 February – Sunday 2 May, 2021

In Shared Reckonings, renowned South Australian artist, Catherine Truman, explores the impact of light on human vision and the growth of plants. The exhibition combines thermoplastics and photo-luminescent powders with exquisite, thought-provoking results. Catherine’s work, which is presented as part of the Adelaide Festival, was created following two concurrent residencies at the Botanic Gardens and State Herbarium, and the Flinders Centre for Ophthalmology at Flinders University. It was influenced by powerful themes: the catastrophic bushfires that swept the country last summer, climate change-induced biodiversity loss, and the global pandemic.

I’ve been fortunate to have worked with Catherine … Click here for more.

SALA 2020: The Unwelcome

from floodtide

The 2020 South Australian Living Artists Festival (SALA) is mostly on-line this year. I have put together The Unwelcome, a showcase of my video art commenting on the environment, corruption, border controls, colonialism, authoritarianism… unwanted circumstances that, by design or active neglect, now or in a dystopian future, can make us, and those around us, feel isolated, afraid, oppressed, forgotten, erased, silenced… unwelcome.

Click here to see The Unwelcome entry in the SALA 2020 program.

Click here to go directly to The Unwelcome.

The Ferrovores in Atticus Review

My video poem The Ferrovores had been published in leading USA literature magazine Atticus Review. It has since been picked up by Moving Poems (USA) and ZEBRA Poetry Film Festival (Germany) facebook page.

Filmed mostly in the southern Flinders Ranges, it explores the idea of alternative energy sources for food after environmental collapse.

“this time, this place… beyond open circulation closed reciprocity… closed hydration spheres wrought cast smithed… this is what we are what we eat … “

Iron is the most common metal on earth. Indeed, it forms much of the molten core of the planet which in turn generates the earth’s magnetic poles. The red soils of the world are due to iron. At a biochemical level, … Click here for more.