My video poems situs inversus viscerum totalis, originally developed for the Body of Evidence exhibition at the Adelaide Conventional Centre, and catclaws have been accepted for showing at the 5th International Video Poetry Festival in Athens, Greece, 10th December, 2016. Click on the images below to see the videos.
Now published in otoliths 44, two visual poems, one based on some strange (former) neighbours; the other an animated GIF, that evolved from some Adelaide Festival of Ideas admin … Click here to read them.
In 1642, Dutchman, Abel Tasman (1603 – 1659), was the first European to reach what the Maori call Aotearoa, the islands that became known as New Zealand. On the 4th January, 1688, English buccaneer, William Dampier (1651 – 1715) set foot on the north-west coast of Australia, then known as New Holland. His expedition report, A New Voyage Round the World (1697), was very popular. Amongst other things, it provided more “evidence” for the supposed lowly status of the Indigenous inhabitants of the New World. On a subsequent journey, he intended to explore the east coast of New Holland, but never made it.
This piece is built from acrostic and reverse acrostics of Aotearoa / aoraetoA, using only words beginning or ending, respectively, with the appropriate letter, selected from each of the 16 paragraphs in Dampier’s 1697 text describing his time in New Holland. The word order in each section follows that of the original text. Click here to read it.
My poem glimpse about the New Horizons spacecraft reaching Pluto has been published in e•ratio. Click here to read it.
Created by The Red Room Company, New Shoots, is a poetic partnership with the Royal Botanic Garden Sydney, Sydney Olympic Park and Bundanon Trust. The project celebrates and cultivates poems inspired by plants and place. Sensurious, my video-poem featuring drawings by Judy Morris, was short-listed for the New Shoots Poetry prize, 2016.
the mirror obscured / can you look behind … are they Originals? Bios? NewGenVirts ? PursuitIntrons? only the phone numbers that matter… a different kind of machine code…
What do you do after a life on the land, the rail, the road, leaves you in despair, confused, angry? Well, you have to do something…
My video poem 42nds is now being projected onto the eastern wall of the Target building in Rundle Street, Adelaide, as part of a project funded by the Adelaide City Council and the Australian Network for Art and Technology (ANAT) along with 3 other vids by by Caroline Daish and Stewart Daish; John Denlay and David Chapple; and Jessica Lumb. If you can’t make it to the city, you can see it on the small screen, with sound, here.